Explicit NT 011 - The Subnautica Movie
Ep. 11

NT 011 - The Subnautica Movie

Episode description

What if Subnautica was a movie? Come join us for an undersea adventure of a lifetime!

Note: This episode had serious technical issues and has changed the way we approach future recordings. Basically, the phone switched to using its own internal mic while in Chris’s pocket instead of using the wireless ones.

Episode Art by: Kit

Download transcript (.srt)
0:00

Editor Chris here. Just letting

0:02

you know that this episode has

0:04

substantial audio issues

0:06

because the wireless

0:08

microphones decided to cut out

0:10

during about 80% of the

0:12

recording.

0:14

I've done everything I possibly

0:15

can to clean up the audio,

0:17

including investing in an

0:19

additional audio plugin to

0:21

assist with that.

0:23

And in the future, I will try

0:25

to find a better recording

0:27

connection method to prevent

0:29

the wireless microphones from

0:31

disconnecting.

0:33

That said, I feel like the

0:35

conversation Kit and I had was

0:37

interesting overall, and I hope

0:39

that you end up enjoying it

0:41

despite the quality issues.

0:44

Thank you.

0:45

Welcome to episode Snake Eyes.

1:02

Episode Snake Eyes.

1:04

Otherwise known as episode 11.

1:06

Ah. Cool.

1:09

Clever opening, Kit.

1:10

Thank you. Thank you. Thank you

1:11

very much.

1:12

So believe it or not, we were

1:13

on the same journey that we

1:15

were on when we recorded

1:16

episode 10.

1:17

Hey, don't tell the viewers

1:18

that. They don't need to know

1:19

that.

1:20

You're ruining the illusion.

1:22

This is a long walk.

1:24

What they don't realize is we've

1:25

been walking the full two weeks.

1:28

Yeah.

1:29

Like, when I say a long walk, I

1:31

mean a really long walk.

1:35

Like, we've been all the way to

1:36

the coast and back.

1:38

We're going to, it's California.

1:41

No, no, no, not that coast. I

1:43

was talking about the coast

1:44

that was actually reachable.

1:46

We're walking all the way to

1:47

California.

1:48

You're telling me not to ruin

1:49

the illusion, and then you just

1:51

say some shit that's impossible.

1:54

I mean, it's not impossible.

1:56

Excuse me.

1:57

No, not impossible.

1:57

It's just highly unlikely.

1:59

Extremely unlikely.

2:01

I mean, people can bike to

2:02

California.

2:03

It's draining what people would

2:05

reasonably believe that

2:07

somebody with a full-time job

2:10

and somebody that is, well,

2:12

doing school, would be capable

2:15

of doing in the span of two

2:17

weeks.

2:19

Maybe we lied.

2:22

Maybe we did.

2:24

So, anyway.

2:26

Yeah.

2:27

I'm, I'm drinking some tasty

2:28

kombucha right now.

2:30

I have.

2:30

Ginger kombucha.

2:32

I have peach mango something or

2:33

other.

2:35

Sports hydration drink.

2:38

Good times, good times.

2:41

Kombucha is good, though.

2:43

Especially when they add, like,

2:44

ginger and stuff.

2:45

Like, this is ginger.

2:47

Lemon.

2:48

Most people of all know, though.

2:49

Kombucha.

2:50

Actually, probably most people

2:51

know at this point.

2:52

Kombucha is fermented fungus

2:54

water.

2:55

Yum.

2:55

Slash tea.

2:56

Yum.

2:57

Yeah.

2:58

It's a good time.

3:00

So.

3:02

So.

3:03

So.

3:04

I have been.

3:05

Oh, no.

3:06

Did it hurt?

3:09

Uh.

3:11

And I don't know how true this

3:12

is, but.

3:13

I don't see very many, like.

3:16

Famous or good horror movies

3:17

doing underwater horror.

3:20

Like, there's Jaws.

3:23

But, like, that's, like, the

3:24

only one that I really know of.

3:26

Not true.

3:27

Uh.

3:27

There are two other ones I

3:28

could think of off the top of

3:29

my head.

3:30

I think they're, like, a Leviathan.

3:32

Jim Cameron's, or James Cameron's

3:34

The Abyss.

3:35

Yeah.

3:36

Uh.

3:36

Which they actually filmed a

3:39

lot of underwater.

3:41

And that was extremely

3:42

problematic for the entire

3:44

production.

3:45

Hmm.

3:46

It was infuriatingly difficult

3:50

to film.

3:51

Hmm.

3:53

All right.

3:53

Um.

3:54

Also, the movie adaptation of Sphere.

3:59

And Sphere takes place

4:00

underwater.

4:02

And is a sci-fi forward thing.

4:05

Although the movie is not a

4:06

great interpretation of the

4:07

book.

4:08

I know because I've read the

4:09

book.

4:11

And I actually read it within

4:11

the past couple of years.

4:13

Well, re-read it.

4:15

Within the past couple of years.

4:16

So.

4:16

There are a couple of good

4:18

underwater horror things.

4:20

You ever struggle with some

4:23

typical flashers and stuff.

4:27

And mystery murders and stuff

4:28

like that.

4:30

There are three different

4:31

directions you could

4:32

potentially go.

4:33

Three or four.

4:34

You could have the person

4:35

trapped inside of submarine or

4:38

underwater facility by

4:40

themselves.

4:42

And they start questioning

4:43

whether or not they're losing

4:45

their sanity.

4:47

Yep.

4:47

And by the end, you're left

4:49

wondering.

4:50

Were they crazy or were they

4:52

not?

4:53

I'm not sure.

4:55

You have the slasher type of

4:57

thing.

4:59

Where.

5:01

I'll call it slasher or

5:02

discovered.

5:06

Person that was somehow in.

5:10

Cryogenic sleep and woke them

5:11

up or whatever.

5:13

But.

5:13

Or.

5:14

Yeah.

5:15

Just.

5:15

Okay.

5:16

For better or for worse.

5:17

Somehow.

5:18

There's something on the crew

5:19

goes nuts.

5:20

It starts killing people.

5:21

Your typical.

5:22

You know.

5:22

It's one of the crew.

5:25

In that type of situation.

5:27

You have.

5:29

Joy.

5:30

Oh.

5:30

You.

5:31

You have.

5:32

The creature.

5:33

One.

5:35

Which of course.

5:35

Which of course is.

5:36

Man dress is nature.

5:38

Well there's some kind of

5:38

creature of the deep.

5:40

Because we don't know what's in

5:41

the deep.

5:42

And you don't dare stare too

5:43

deeply into the abyss.

5:45

Because then it's there back.

5:48

And.

5:49

So you don't know what

5:49

creatures might be down there.

5:51

And how they might.

5:53

Come after you.

5:55

So there's that.

5:59

And.

6:02

Yeah.

6:02

I mean.

6:03

Those are.

6:03

Those are big ones.

6:06

Who?

6:06

I know I said like four.

6:07

But really it's like.

6:08

Three.

6:09

And then there's variants on

6:10

those three.

6:12

What about the waters?

6:14

Herb.

6:16

Uh.

6:18

I mean.

6:20

Is that being.

6:21

Horror or suspects?

6:23

Well there can be a horror on

6:24

that.

6:24

But.

6:25

I have taken space from.

6:27

Synodica.

6:29

Or at least something I heard

6:30

about.

6:31

The.

6:32

Mon.

6:32

Yeah.

6:33

That's.

6:33

Huh.

6:34

Okay.

6:35

Wait.

6:35

I know it is.

6:37

Sure.

6:37

So.

6:39

Posting the incident about.

6:40

This might be in like the lozier

6:41

or something.

6:42

Or it might be a monster.

6:44

But you can find this bitch.

6:46

That looks like.

6:47

A little bit different from the

6:48

runnotypes.

6:50

Maybe a little.

6:51

On the back of something.

6:53

You can still.

6:54

You know.

6:54

And then you get stirred.

6:59

And so that seems about right.

7:01

He more like.

7:01

You have no headaches.

7:03

And stuff like that.

7:05

But here's the thing.

7:07

Because.

7:07

Not this on an alien planet.

7:10

That the aliens have built

7:11

something.

7:12

To defend against this illness.

7:15

Uh.

7:16

Okay.

7:17

It's.

7:17

It's a.

7:18

Giant.

7:19

Mechanical.

7:20

Monster.

7:21

For.

7:21

That is basically a little

7:22

violent.

7:23

Pampal.

7:24

Made to.

7:25

Uh.

7:25

Kill whoever.

7:26

Passed this illness.

7:31

And it will.

7:31

It will.

7:32

Hover around the base.

7:35

Stare into.

7:36

A creepy noise.

7:38

Definitely not kill you.

7:40

If you go outside.

7:43

Oh.

7:43

Oh.

7:43

Troy.

7:43

Oh.

7:43

Troy.

7:43

Yeah.

7:44

Yeah.

7:45

So.

7:46

So you could do something like

7:47

that.

7:49

Subnautica moosh.

7:52

I don't know about.

7:53

Enough about Subnautica.

7:55

As of yet.

7:56

To speculate upon a movie.

7:58

I mean.

7:59

Clearly.

7:59

It could be.

8:01

A.

8:02

Survival.

8:04

Horror.

8:05

Slash.

8:05

Llama.

8:06

The spots.

8:07

The flash.

8:08

The water.

8:08

Yeah.

8:10

It's pretty straightforward.

8:12

Like.

8:12

They have to go through

8:13

obstacles.

8:13

To survive.

8:15

And eventually.

8:16

Even though.

8:16

They don't think.

8:17

They're going to be rescued.

8:17

They eventually get rescued.

8:19

They ain't it.

8:20

Yeah.

8:21

Unfortunately.

8:22

I don't know enough.

8:23

Yet.

8:23

About the game.

8:24

To really buy me.

8:25

To sum it up.

8:26

Alright.

8:27

Go ahead.

8:28

So.

8:28

Actually.

8:29

You know what.

8:29

Most of the time.

8:30

I do most of the talk.

8:31

So what I'd like you to do here.

8:34

Is.

8:35

You're going to summarize.

8:37

The story of Subnautica.

8:38

Subnautica moosh.

8:38

I don't know game.

8:40

And then.

8:40

You're going to tell me.

8:42

I will modify it.

8:43

Update it.

8:44

Well.

8:44

I'm.

8:44

I'm going to be honest.

8:46

Subnautica already makes for a

8:47

good movie.

8:48

So.

8:50

Okay.

8:50

So.

8:50

Maybe instead of.

8:53

Just telling the story of Subnautica

8:55

the game.

8:56

Yeah.

8:58

Why don't you expand upon it.

9:00

Yeah.

9:01

And change it as you would.

9:03

To change.

9:04

To create a movie.

9:05

I can see how.

9:06

So once again.

9:07

Hollywood in the video game

9:08

industry.

9:10

Our same terms of service apply

9:12

here.

9:14

Where's the idea.

9:15

Well it's worth getting.

9:16

Yes.

9:16

First of all.

9:17

Okay.

9:18

I mean.

9:19

Obviously.

9:20

This is probably something in

9:20

discussion already.

9:22

But Hollywood.

9:22

Here's the deal.

9:24

And the game industry.

9:25

And as you know.

9:27

Us publishing this podcast.

9:29

First of all.

9:30

Demonstrates.

9:32

Ownership of the idea.

9:34

So that you can't just steal it.

9:37

Our ideas have predated your

9:38

ideas.

9:40

First.

9:42

And secondly.

9:44

Our normal deal.

9:47

Still applies.

9:48

But we're going to start a

9:49

little bit more expensive.

9:50

This cop.

9:52

Subnautica is a hot IP.

9:56

Especially.

9:56

It's all.

9:57

Sequel.

9:57

They have a sequel coming out.

9:59

You've already said this is

10:01

good for a movie story. So

10:05

normally we'd start at around a

10:07

hundred thousand dollars and

10:09

work our way up from there as

10:10

inflation continues to go up.

10:13

But today, this idea is going

10:17

to start at a million plus five

10:21

percent of the gross.

10:25

Normally we'd start lower, but

10:26

this is a hot property right

10:28

now and you need to cash in.

10:31

This could make you 300, 400

10:33

million dollars and you'd

10:36

probably make it on a lower

10:38

budget if you try.

10:40

But I know this would be a more

10:41

expensive plant to make. This

10:43

would probably be like a

10:45

200 million dollar phone at

10:46

least to make with the effects

10:48

unless they want to go more

10:49

heavy on the visual Vexar.

10:52

Either way, we think you can

10:54

make a larger profit off of it

10:56

just based upon the brand

10:57

recognition alone.

10:59

Therefore, our starting rate as

11:02

the story adapters because we

11:04

didn't create this story.

11:07

Yeah.

11:08

Well, we still need a higher

11:10

salary based upon the potential

11:12

returns of the problem.

11:15

That's just the way it works.

11:17

Anyway, Kit. So, Sunlog. The

11:20

original story of the game's

11:22

marker. I just said that I didn't

11:24

get some marker built here.

11:28

You're on ship ship gets blown

11:29

up mysteriously and all these

11:31

sweet pods fall into the salient

11:33

water plane.

11:36

Uh, it's your job to survive by

11:38

searching for resources.

11:40

Your ships also crash, but

11:41

there's radiation everywhere. Yara

11:43

yara.

11:44

Try not to get killed by giant,

11:45

but this monster is called the

11:47

Vyacet, glass, whatever ruse.

11:51

And that regime might just

11:51

build a base, etc, etc.

11:54

Also, uh, once you try to

11:56

finally build a spaceship to

11:57

escape, uh, it gets blown up by

11:59

an alien laser.

12:02

Uh, and then you have to go

12:02

kill the alien boss.

12:05

And then I think there's like

12:06

portal or something after that.

12:08

That's kind of where my

12:09

knowledge goes out.

12:11

Hello, Jack.

12:12

It's the ending.

12:13

But, but I know you call it a

12:14

boss that's an alien at the end.

12:16

Well, there's a bunch of aliens

12:17

that try to kill.

12:18

Well, I gotta correct you for

12:19

the moment, dear.

12:22

If you're on a planet that is

12:23

darker, uh, you are the alien.

12:26

Okay, so there's a bunch of, uh,

12:28

indigenous species staying here.

12:33

That, that used the laser to

12:34

not only shoot down their ship,

12:36

but also, uh, shoot down from

12:37

the,

12:38

the escape pods and also here.

12:40

So they tried to use this and

12:42

you're too far out to really

12:43

call for help that route.

12:46

Pretty much everyone else that

12:47

was on the escape pods, died in

12:48

the natural wild war.

12:50

Okay.

12:52

So that, that's the middle

12:53

story of Sinaga.

12:54

So, now, smile, click, move.

12:58

How do we expand on this?

12:59

How do we give this person some

13:01

more back to our sea?

13:02

Like, here's the thing.

13:03

I don't think that we should

13:05

start with the spaceship

13:06

falling off and all.

13:07

So, I think we should start

13:09

with someone that's already

13:11

looked up and spoiled for a

13:12

while

13:13

and is researching and stuff

13:14

and they already have the base.

13:15

So, let's start off with them

13:16

just waking up and all those

13:18

cozy little days.

13:19

Now, do you start with them

13:22

waking up in a calm way or do

13:24

you have them wake up like kind

13:27

of with the start?

13:30

Do you have them have an alarm

13:31

going off and they just kind of

13:33

sit up and look at the camera?

13:35

They can't lay them on the wall.

13:36

Okay.

13:37

So, what is it like a space to

13:39

mom?

13:40

Not like a dangerous platform

13:42

to like and no, just yeah, I

13:43

get what I meant.

13:44

I meant that like a standard or

13:46

wake up alarm.

13:48

Yeah, okay.

13:49

They take their gear out of

13:51

their locker.

13:54

Now, they take out their

13:55

scanner and they go down and I'm

13:57

going to be honest.

13:59

The actual Shunsuki is the

14:01

marker are kind of a baron of

14:02

light.

14:03

I just like that there's every

14:04

cow floors to them.

14:06

That's it.

14:08

At least on the upper surface

14:09

where you put there more light.

14:12

Okay, so I want to make it so

14:13

that there's more light because

14:15

from what I've seen is not much.

14:18

So, I think there's be that

14:19

more like kind of bully stuff

14:22

not full.

14:25

But the ones are really creepy

14:25

plants that they kind of pull

14:27

on.

14:28

Yeah, I'm on the water.

14:30

So, you start off with somebody

14:32

who the music is soft but

14:37

serious.

14:39

And you have a sense even

14:40

though they're acting like this

14:43

is routine for them,

14:47

that they are isolated and

14:49

alone.

14:52

So, as they're going through

14:53

the ocean and scanning things

14:54

and just like pressing buttons

14:56

to log what they

14:57

scanned and all of that.

14:58

Yeah.

14:59

Yeah.

14:59

You get this overwhelming sense

15:01

of the vastness of the ocean.

15:05

Like you have these really

15:06

really wide shots of them being

15:09

completely alone and isolated.

15:12

swimming through kelp and

15:14

seeing creatures.

15:18

Okay.

15:18

Yeah.

15:19

Do go on.

15:19

So, all of this changes one day.

15:23

We're going to go with the

15:24

beach.

15:24

I'm going to go with the beach.

15:25

I'm going to go with the beach.

15:25

I'm going to go with the beach.

15:26

I'm going to go with the beach.

15:27

I'm going to go with the beach.

15:28

I'm going to go with the beach.

15:29

I'm going to go with the beach.

15:30

I'm going to go with the beach.

15:31

I'm going to go with the beach.

15:32

I'm going to go with the beach.

15:33

I'm going to go with the beach.

15:34

I'm going to go with the beach.

15:35

I'm going to go with the beach.

15:36

I'm going to go with the beach.

15:36

I'm going to go with the beach.

15:37

I'm going to go with the beach.

15:38

I'm going to go with the beach.

15:39

I'm going to go with the beach.

15:40

I'm going to go with the beach.

15:41

I'm going to go with the beach.

15:42

I'm going to go with the beach.

15:43

I'm going to go with the beach.

15:44

I'm going to go with the beach.

15:45

I'm going to go with the beach.

15:46

I'm going to go with the beach.

15:47

I'm going to go with the beach.

15:48

I'm going to go with the beach.

15:49

I'm going to go with the beach.

15:50

I'm going to go with the beach.

15:51

I'm going to go with the beach.

15:52

I'm going to go with the beach.

15:54

I'm going to go with the beach.

15:56

I'm going to go with the beach.

15:58

I'm going to go with the beach.

15:59

I'm going to go with the beach.

16:00

I'm going to go with the beach.

16:01

I'm going to go with the beach.

16:02

I'm going to go with the beach.

16:03

I'm going to go with the beach.

16:04

I'm going to go with the beach.

16:05

I'm going to go with the beach.

16:06

I'm going to go with the beach.

16:07

I'm going to go with the beach.

16:08

I'm going to go with the beach.

16:09

I'm going to go with the beach.

16:10

I'm going to go with the beach.

16:11

I'm going to go with the beach.

16:12

I'm going to go with the beach.

16:13

I'm going to go with the beach.

16:14

I'm going to go with the beach.

16:15

I'm going to go with the beach.

16:17

I'm going to go with the beach.

16:19

I'm going to go with the beach.

16:21

I'm going to go with the beach.

16:23

I'm going to go with the beach.

16:25

I'm going to go with the beach.

16:27

I'm going to go with the beach.

16:28

I'm going to go with the beach.

16:29

I'm going to go with the beach.

16:30

I'm going to go with the beach.

16:31

I'm going to go with the beach.

16:32

I'm going to go with the beach.

16:33

I'm going to go with the beach.

16:35

I'm going to go with the beach.

16:37

I'm going to go with the beach.

16:39

I'm going to go with the beach.

16:41

I'm going to go with the beach.

16:43

I'm going to go with the beach.

16:45

I'm going to go with the beach.

16:47

I'm going to go with the beach.

16:49

I'm going to go with the beach.

16:50

I'm going to go with the beach.

16:51

That's his character.

16:53

That's not my question.

16:56

Okay.

16:58

Do you get along?

17:00

Now I'm not sure if we should

17:01

have this spaceship like Shumcraft

17:04

or the other thing.

17:06

They have the water starts to

17:08

change color.

17:09

The radiation comes closer.

17:13

The water starts getting murkier.

17:16

And it starts to get toxic.

17:18

And the fish starts to pull

17:19

belly up.

17:21

And then.

17:22

See there were a door and the

17:23

alarms at first.

17:25

There was just a little escape

17:26

pod floating down.

17:27

There was no alarms yet.

17:29

But now.

17:30

Now the basic blind state.

17:33

I have an alternative there.

17:35

Yeah.

17:35

Okay.

17:36

My alternatives.

17:39

In half a dream.

17:42

About her situation.

17:45

How her pod started going crazy.

17:48

How she had.

17:49

Or how her ship got like mowed

17:51

up.

17:52

How she got into the pod.

17:54

How it shot her down.

17:56

And then the pod hits the ocean

17:57

with like hard force.

18:00

And that's when you cut to her

18:02

snapping awake.

18:04

As the alarms are starting to

18:06

go off.

18:08

And the bells even serves and

18:09

everything.

18:11

And then she doesn't realize

18:13

what happened right away.

18:15

The light set.

18:16

She starts seeing debris

18:18

floating by or sinking past her.

18:19

Yeah, but you know I'm alive,

18:22

but I'm super sure I'm alive.

18:24

What you see in this little tuximata,

18:27

rather than going too far up

18:29

one.

18:29

I'm not sure that this is it,

18:31

it's not bad, I don't know.

18:33

We shall say, "Pisic Doka".

18:38

Doesn't say that the happens on

18:40

the biting grass, which is that

18:42

it's also best.

18:43

Yes, because it's not so bad,

18:48

but it's not bad.

18:51

So then we have to be, that

18:54

brings her a sense of urgency.

18:56

Like, so she sees the fan of

18:58

the radar, but then she also

18:59

sees the level of light there's

19:01

coming.

19:01

And so she is so corrupt that

19:03

she realized, oh, this body is

19:05

a domestic company.

19:06

We're going to sit, we're bored,

19:09

we're never.

19:09

I mean, it's basically science

19:12

as stuff, so she wants all.

19:13

Right, so, but she figures out,

19:15

like, this is something she

19:17

means to do something, huh?

19:18

Then what she has to do is the

19:20

bite, they got it, so she's

19:22

like, missing scraps, clever,

19:23

like, automatic, this stuff.

19:25

I'm not sure she could figure

19:27

it out.

19:27

I'm tasting.

19:29

Good thing I'm really good, but

19:31

I thought that's just for the,

19:33

like, very nice selfies.

19:34

and everything that

19:36

fuck all the way all

19:38

they're a friend that's the

19:40

best to that stuff

19:40

or

19:42

be so like yeah

19:44

I mean that very

19:46

the cabin place you up on radar

19:48

screen

19:48

and have it have it

19:50

have any signature or something

19:52

clear it out the coffee that

19:54

you like

19:54

shit before we go on and

19:56

and then so

19:58

they

20:00

cap them out of the way and

20:02

then they'll

20:02

buy a pin's pen.

20:02

Anyway

20:04

get on you

20:06

sorry

20:08

uh

20:10

short on suit guy

20:12

he is a data speeder

20:14

bareman she says

20:16

but it looks like a tower

20:18

base of a cottage

20:20

and probably getting my suit

20:22

out

20:24

now is she building a base for

20:26

pack? I

20:28

will ever see you

20:30

some water bugging up

20:32

back up at all

20:34

bringing that hole

20:36

and then take the entire tower

20:38

account

20:40

pieces here your base

20:42

and let it go

20:44

basically it's a really cool

20:46

uh our 3d printer

20:48

that is hand built

20:50

i think instead of building

20:52

a wall on base

20:54

well no i'm saying like a tiny

20:56

base

20:56

okay

20:56

like like like there is like

20:58

very better better to use each

21:00

or a survival ship

21:02

yeah

21:02

and ship

21:04

okay

21:04

organic science of opera

21:06

shat

21:06

yeah

21:08

Oh

21:10

Oh

21:12

Oh

21:14

Oh

21:16

Oh

21:18

Oh

21:20

Hey, Abby, and Tina, black her

21:24

face up.

21:26

But she says, "Oh, they're rescuing

21:30

for murder."

21:33

Even that doesn't make fun of

21:34

it up.

21:38

He's never the first part of

21:39

the work called the K-Far Dog.

21:45

And Kastaya came from this.

21:48

Well, she wants her store and

21:51

maybe tried to go around with

21:54

the biotinine.

21:56

Of course, she hasn't bought

21:57

the C-Mac. And he wants to get

22:00

cargo, but the AMT. The Revolve

22:03

was also about to get the cargo.

22:05

This is something with super

22:06

power pins. Okay, and that's

22:08

how they get the... Let's style

22:10

things back.

22:13

So the thing that's causing her

22:15

to panic about the time

22:17

sensitivity is she knows the

22:18

Leviathan is coming and that

22:20

they're laser-its.

22:22

That's all. She knows the Leviathans

22:24

were coming and that they're

22:25

dangerous. So why would she be

22:28

trying to be friend-in-law?

22:31

Then she knows the other bit. I

22:33

feel like it's interesting.

22:35

Does she want to learn more

22:36

about it?

22:38

Oh, I have a better question.

22:39

Yes.

22:41

She's been on the planet longer.

22:43

Yeah. And the planet is

22:45

starting not necessarily to

22:47

have a negative impact on her.

22:50

But there's something about

22:53

this world where over time

22:55

because she's been there so

22:57

long she's starting to get an

23:00

almost intuitive sense and

23:03

almost psychic connection with

23:07

the world around her. Yes.

23:10

So the Leviathans don't get me

23:15

wrong are still violent

23:19

creatures. But she thinks that

23:22

she's starting to get a better

23:24

sense of them. And she's also

23:27

starting to figure out that and

23:30

to see that certain black life

23:32

that may be rose or certain

23:34

creatures that were hacking her

23:37

earlier on aren't any.

23:39

But the question then comes at

23:42

the end of the movie as she

23:44

changed so much that she can't

23:47

be. And she chooses to stay.

23:50

But to go on with your story.

23:52

What do you think about that

23:53

idea about Roy? Yeah, that

23:54

seems to be what. Okay. I'll do

23:57

it. I'm not. I don't know

23:59

enough about things. Really.

24:02

But this is the movie. But this

24:03

is the movie. This is the movie.

24:05

So you can have it. We'd have a

24:06

different ending than the game.

24:08

Yeah. And the ending of the

24:09

movie does not accommodate the

24:10

ending of the game.

24:12

And if you have a secondary

24:13

character. The ending still

24:15

might catch the ending of the

24:16

game. Because he can teleport

24:18

out and she can choose to stay.

24:20

So you still have the best of

24:22

the world.

24:25

So you have the wild. Say a few

24:27

of the wild things. Have the

24:29

fish. Have the plants. Some are

24:32

toxic. Some are carnivorous.

24:34

And then whatever. All of those

24:36

things go there.

24:38

Okay. Okay. Fine. Is there a

24:42

contrast between the native

24:45

creatures of the ocean and some

24:49

other type of galen? Or are

24:52

they actually connected?

24:56

Like the alien is that fighting

24:58

the thing? Yes. I think. If I

25:00

remember correctly. They're

25:02

mostly like green and polena.

25:05

And they were like the most

25:06

intelligent of the cities. They

25:09

hold in the desert. And. Right.

25:12

But what I'm saying is. Do the

25:14

underwater creatures. Have a

25:18

tie for the aliens. They're.

25:21

The underwater creature equally.

25:23

Dislike the alien.

25:25

because they're doing the same

25:27

thing that

25:29

big corporations would be

25:30

trying to do and just take over

25:32

the oceans and I

25:34

Recall never correctly though.

25:35

I green and black so that they

25:37

really don't that's like I said

25:38

dogs on sip on there

25:41

You know live

25:43

So that's interesting and also

25:46

they have a lot of each and

25:48

like

25:50

Green and stuff. They're very

25:52

like

25:53

Say the whole eating culture.

25:55

Okay, so in that way, which

25:57

also could be what the what the

25:59

paro is

26:00

That's okay. I'll get back at

26:01

something like but in that case

26:03

the aliens are living in

26:05

farming with the creature

26:08

possible

26:09

Probably they haven't tamed the

26:10

creature. No, no definitely

26:12

else, but they're also pretty

26:14

big by your art

26:16

so what we need to figure out

26:17

this

26:19

So we're we're doing the

26:20

differentiation

26:22

Between the creatures and the

26:24

native aliens

26:27

We'll call them

26:29

the

26:31

intelligent

26:32

Yeah species

26:34

So we have the intelligence we

26:35

see and we have everything else

26:36

to cool by things that are

26:39

What more ecology than all the

26:40

other creatures did so right?

26:44

Now

26:46

What I what I would post you is

26:48

fall

26:50

These creatures like the native

26:52

to this planet

26:55

But they don't have a true

26:57

connection with any of the wild

26:59

bug yet

27:00

What for some reason due to

27:02

human or

27:04

Jewish human physiology and the

27:05

impact of the energy of the

27:07

planet?

27:09

When human is here long enough

27:11

they start to build an empathic

27:13

and telepathic connection?

27:16

To the wild look?

27:18

Yeah, I wouldn't say to the

27:19

extent that they could control

27:21

it what I would say to your

27:23

point

27:24

Maybe at some point

27:26

Leviathans are attacking her

27:31

and man and

27:32

And

27:34

First you get the sense that

27:36

they're attacking out of self-defense

27:39

and

27:40

Maybe her and me like maybe

27:42

Maybe Leviathans go away after

27:44

the beginning like after he

27:46

crashes me what she she wakes

27:48

up she wakes up?

27:49

It's like I think it's safe to

27:50

go back to the main base now

27:52

Okay, they go back and

27:55

Then they decide to go out for

27:56

resources and

27:59

Because they're out forging for

28:01

resources a bunch like a couple

28:02

of Leviathans show up and it

28:04

turns out

28:06

Two things

28:08

First of all

28:09

They're if they're protecting

28:11

like their egg clutch or

28:12

whatever

28:14

And she gets it could be

28:14

because they need to have on it

28:17

and right and like the

28:19

They probably have like maybe

28:20

they're both and our two heroes

28:22

are in itself and that's why

28:24

the black on show because this

28:26

up to them

28:27

Right and man wants to attack

28:29

Leviathans and she's like no,

28:31

let's just back off

28:34

Then later on

28:37

Intelligent species is around

28:41

Using fancy space slave trying

28:42

to get at the egg as well for

28:45

whatever reason

28:48

Injures Leviathan Leviathan

28:50

Like mom or Leviathan daddy.

28:52

You can't really tell their

28:53

boys. Well, they're big

28:55

creatures

28:56

But she goes out

28:59

And she actually

29:02

Manages to help the integral

29:05

vibe then by using sea plants

29:07

of them

29:08

Right, so that becomes relative

29:12

later or relevant theater

29:14

When she gets into the big

29:15

fight with the intelligent Lilian

29:18

species

29:20

Because she not quite knew this

29:22

thing or I did but because she

29:24

has that connection with it

29:26

because

29:27

She was able to

29:30

Help it

29:32

That maybe comes into play

29:33

later on. Yeah

29:36

Back to you sir

29:38

So this is a side ship from the

29:40

next time either of our viewers

29:42

probably some

29:43

Each of the indigenous artifact

29:45

that humanity has stolen for

29:47

the all of them

29:48

It's probably like they're

29:49

powerful which is why there

29:50

aren't that money at that

29:52

Species of the sea but yeah,

29:54

but yeah, it was it's probably

29:56

so much cornic like you're

29:57

powerful

30:00

So the aliens look on back the

30:02

indigenous smarties monarch

30:04

that

30:06

Okay, and die

30:08

And die

30:08

And die probably stole to his

30:10

folks but after

30:12

I'm sure that is never good to

30:14

start

30:18

All right, so

30:21

Also, uh, that guy also will

30:23

probably use that one next that

30:25

sees

30:29

In that case though

30:32

Die has to have a prank on at

30:32

some point if we're gonna have

30:35

them leaping at the border

30:38

Because die has to realize that

30:42

He'll lean on to this or

30:43

whatever is is wrong. Yeah

30:47

Maybe there's a moment of drama

30:49

at the end of act two as usual

30:53

Where they've retrieved the

30:54

artifact and she's looking at

30:56

this and she's like wait a

30:57

minute

30:59

This is there's this little

31:00

symbols that I've asked I've

31:03

seen this before what the hell

31:04

is doing with this?

31:06

Well, we're gonna bring this

31:06

back and we're gonna weaponize

31:08

it

31:09

gtfo

31:11

I no wonder why the smarties

31:12

are attacking us

31:15

No wonder luckily you stole

31:16

something that's key to their

31:18

civilization. Are you mad?

31:21

He's like well

31:23

You know, we need to think

31:25

about humanity too and for the

31:27

achieving rogue peace and yada

31:29

yada yada. She's like

31:31

Go back to your stupid ship

31:34

I don't want to see or hear you

31:35

ever again or some stupid

31:37

crawling in court like that.

31:39

Yeah

31:40

And then there's a lot there's

31:41

gotta be a lot of stereotype

31:42

like froth

31:43

Okay, now the question is what

31:45

becomes this big conflict

31:47

though? So maybe they return

31:52

Here's an idea go ahead. So

31:54

they bring it back while all

31:56

the aliens are distracted up.

31:57

The human share shows up

32:00

Big evil corporation ship not

32:02

not like their corporate. Well,

32:04

it's more in science and stuff,

32:05

but big evil corporation ship

32:09

Okay, uh

32:11

Uh, it's something like that

32:12

where they help you fans. It's

32:14

not necessarily blow it up, but

32:16

maybe a gang imitation

32:18

uh, how was that? It's

32:20

uh, how from that stuff so so

32:23

what we hear is we have the

32:25

ship from

32:27

Orbit or from the the from up

32:29

in the sky

32:31

Start to like drop death

32:32

charges. So she has

32:36

For a lack or better of her and

32:36

work things out with the

32:38

intelligent aliens return their

32:40

power source. Maybe they even

32:42

have to tell us

32:43

Right, but now

32:46

They're in and man has not

32:48

shown up. So

32:50

She kicks him out at the end of

32:51

act two and says you get out,

32:53

but i'm keeping this

32:56

And at first they're gonna

32:58

attack her with its side not to

32:59

when they see that she's

33:00

carrying the energy thing

33:02

And then that's when the bombs

33:03

started dropping or the death

33:05

charges start dropping

33:08

and

33:10

They're trying to get to like

33:11

the communicator the

33:12

communication center so they

33:13

can remotely like she's like I

33:15

know this type of ship

33:17

I can remotely shut them down

33:18

or remotely tell them I could

33:20

communicate with them that

33:23

And i'll maybe the rg is toxic

33:26

And you know will cause harm to

33:28

humanity or whatever there's

33:29

also probably that one small is

33:31

that it is like no

33:32

We must go and shoot them there

33:35

But is that that one's not

33:36

falling in demand

33:38

Right

33:40

But then they can't get to the

33:41

communication center because

33:43

she's not strong enough to lift

33:44

thing that fell

33:46

And even with the other

33:46

creatures helping her it's not

33:48

enough

33:49

Like maybe they don't really

33:50

have lifting capacities because

33:52

or or impossible that the

33:53

biggest thought because they

33:55

are pretty big the biggest one

33:57

got stuck

33:58

They must say 13

34:01

Kraut something like that, but

34:03

then

34:05

man guy

34:07

Shows up was a man shows up

34:09

with the mech

34:12

With the like with his hand on

34:13

the dorsal fin of the leviathan

34:17

Like the leviathan's giving him

34:18

a ride

34:20

Yeah, because the mic is pretty

34:21

slow so that makes sense

34:23

Right, so the leviathan's

34:24

giving him a ride. He shows up,

34:27

you know to lift the thing off

34:29

And they get the communication

34:30

out. No, you don't understand.

34:32

This is like

34:33

extremely toxic

34:36

And maybe she has physically

34:37

changed a little bit like maybe

34:40

She's starting to like develop

34:41

gill or something

34:44

And she's like look

34:46

And they realize oh like that

34:48

has some kind of messed up

34:49

radiation even though it doesn't

34:51

has nothing to do with anything

34:54

It's just the planet itself

34:56

Or maybe it is the energy

34:57

source because the energy is

34:58

the heart of the planet. I don't

35:00

know

35:00

Some nature-loving-bullshit

35:02

something like that, right

35:04

there that it is like the core

35:05

of the mullets

35:07

Some nature-loving-bullshit

35:08

like that, you know

35:10

Anyway, if you destroy this we'll

35:12

destroy this fire all that's a

35:14

half. Yes

35:16

And so they're begrudgingly

35:18

convinced that first of all it

35:20

will be more harmful to the

35:22

humanity even good because

35:23

having bit for bit

35:25

humanity actually

35:27

developing the name wisdom with

35:29

nature

35:31

And learn to live in harmony

35:32

with it

35:34

So they leave

35:35

But they can't pick up guy

35:38

because obviously the the

35:39

people of the planet won't let

35:41

him what won't let them land to

35:43

rescue him

35:45

They say well

35:47

Like the old ancient one shows

35:49

up. He's like well, we have

35:51

been you helped us. Yeah, there

35:54

There might be a way and then

35:55

there will be the cats only one

35:58

maybe

35:59

Yeah

36:01

We may only send one out every

36:03

x amount of years due to the

36:05

energy requirements. What?

36:07

It would probably be more than

36:09

a unit lifetime. See that?

36:11

Yeah, every like hundred years

36:12

or something. Yeah

36:14

And while our race may live

36:16

longer than rollers

36:18

This would be once in a

36:19

lifetime for one or your race

36:23

Except for her because she's

36:23

mutating and may end up

36:25

becoming one of us or something

36:27

similar

36:28

We don't know she's some weird

36:30

hybrid. We don't care

36:33

And then they send him back

36:35

So he gets his hands. How's he

36:37

that like car free?

36:38

Yeah, that are freaking long

36:40

I'm gonna get it. No, not even

36:42

know you will not even I'll

36:44

come back for you

36:44

But she's like clearly chosen

36:46

this way. It's her way of blights

36:52

And then at the end

36:55

At the very end of the credits

36:58

You you have this like kind of

36:59

pan down from the ocean like

37:02

even as deep in the ocean as

37:03

they are

37:05

And you kind of travel down

37:05

further and further and it gets

37:07

darker and darker

37:08

Are you gonna have the little

37:09

beep beep like from from the

37:11

subnautica 2 trailer?

37:13

No, I was gonna still I didn't

37:14

even know that was in the subnautica

37:15

2 trailer. Oh, I don't know

37:16

like kind of like the little

37:19

Like from the radar like I was

37:21

gonna say

37:22

Well, maybe you do that. So

37:23

maybe you have the radar noise

37:27

Like starting up high. All

37:28

right, so the radar noise is

37:30

going off as you're panning

37:31

down and like this is swimming

37:33

downward

37:35

And you hear it getting louder

37:35

and louder as you're going

37:37

deeper and deeper

37:39

And then you don't see what it

37:40

looks like at all. You just see

37:42

these big two eyes open up

37:44

Maybe even more than two. Yeah,

37:45

the creatures have a ton of the

37:47

lights all over there. We go

37:49

But this one we can't allow to

37:50

light up right away because

37:51

then that would give away subnautica

37:53

2 the movie

37:57

So there we go

38:01

I I think that's a viable like

38:03

my lack of knowledge of subnautica.

38:05

We have caught up with a very

38:06

good justice, sir

38:06

We are shaking hands. Well done,

38:08

sir. Well done

38:10

And now if only when you had

38:12

actually directed some movie.

38:14

Yeah, right

38:16

Now Hollywood and company

38:18

behind subnautica whose name I

38:20

can't remember at the moment

38:22

Whose land status? Yes

38:25

But this can all be yours

38:27

This this wonderful plot that

38:29

we just laid out

38:31

This this wonderful now. I don't

38:33

know that every episode that we

38:34

do we're going to create a fake

38:36

movie or something

38:38

But it seems to be in the

38:39

trends

38:40

And given that that seems to be

38:41

the trend will remind you as we

38:43

said earlier of the deal

38:45

Now of course

38:46

Throughout the course of our

38:48

discussion life's been ticking

38:50

and inflation has caused the us

38:52

dollar to lose even more value

38:54

So now the minimum buy-in for

38:56

our idea is 1.5 million dollars

39:00

Plus five percent of the gross

39:05

In perpetuity by the way

39:04

whenever we say five percent of

39:07

the gross it is in perpetuity

39:10

Including digital sales dvd blu-ray

39:13

and whatever future technology

39:15

comes about

39:17

Layla grime long after I'm dead

39:22

Kids bank account will still be

39:23

getting payments

39:25

And my estate will still be

39:26

getting payments that

39:29

That is the nature of the

39:30

contract. Okay, ADF this so

39:37

And speaking of much

39:39

Look, we don't beg some money.

39:40

We don't charge anything for

39:41

the show, but if you do get

39:42

value out of the

39:44

Discussions that we have and moody

39:46

ideas

39:47

Well, just stay on using any of

39:48

those

39:49

Go to ko-fi.com/nontopical and

39:56

show whatever that value is

39:58

that you get in return

40:00

Give me a dollar five dollars

40:03

three dollars

40:05

222 whatever

40:07

We're perfectly fine with

40:08

anything you may want to offer

40:10

or nothing at all instead. You

40:11

could always email us at

40:13

feedback@nontopical.com

40:15

And let us know what you think

40:16

of our ideas

40:18

Or don't

40:20

That's fine. We'll probably

40:21

keep doing the fail anyway,

40:22

especially as the weather

40:24

Gets cooler and keep walking

40:26

We'll probably have red linoir

40:28

updates to keep doing this

40:34

Something we've forgotten

40:36

Oh no

40:36

Oh no

40:38

Some it's something very

40:40

important

40:41

What?

40:41

It's a very cheesy line of

40:43

dialogue and it goes like this

40:45

Cheese quesadilla

40:48

Do they have cheese quesadillas

40:49

in subnautica?

40:52

Probably not because there's no

40:54

cows

40:55

This is true

40:55

This is true

40:56

Leviathan milk

40:59

Don't make that weird

41:03

Okay

41:03

Anyway

41:05

Thank you for listening

41:06

everybody. Hope that you got

41:08

some entertainment value out of

41:09

this. I know we did

41:11

And until next time. Thanks for

41:14

Bye. Bye.

41:14

Bye. Bye.